Jun 09 2009
Rules for Superhero Movies
I was talking this over with a coworker today, so I thought I’d put it out here for dicussion. My rules of Superhero Movies aren’t necessarily proscriptive, but instead describe what Superhero Movies ought to do, if they wish to be successful. Plenty of movies try to exceed these limitations all the time, and the results aren’t always pretty.
It’s a work in progress, so I’d love to hear your thoughts in the comments below.
Rule the First: Superhero Movies should begin with the origin story. Sounds obvious, right? To an extent, it is. Let’s face it, movie studios aren’t catering only to the comic book fans. They want to draw in everyone who loves a good action hero movie. More than this, though, that first movie really ought to focus on the origin story. For most superheroes, that’s the most interesting, most important story there is. Movies which try to skim over the origin to get to “the good bits” are usually cheating themselves, and us.
Rule the Second: One villian at a time. Please! Multiple villians crowd the story, especially in the sequels. You start with one, then the sequel gets two, part three gets four, and on, and on, and…let’s face it, looking at X-Men and Fantastic Four, Hollywood has enough trouble juggling multiple heroes, we don’t need to try throwing in multiple villians.
Actually, it might be fairer to say X-Men is the exception to the rule…sort of. The X-Men movies were intended to be ensemble pieces, and to that end, their cast of villians didn’t do too bad. Not as bad as the heroes. Far too many heroes, particularly big name actors, and the writers just didn’t seem to know what to do with all of them. That’s not a superhero problem, that’s a “writing for ensemble characters” problem, which is an entirely other post.
Rule the Third: You get one to two sequels, that’s it. Why? It goes back to the first rule about origin stories. Past that, your first sequel is usually adressing the fallout of the first. Our hero accepts their new purpose, and must reconcile it with their pre-hero selves. The second sequel usually sets up an “ultimate enemy” or other obstacle to overcome. Some franchises compress these into the same sequel, which can cut yourself quite short.
- Superman I sets up Superman’s origin. The sequel has Superman fighting to reconcile his dualing personas (at one point choosing Clark over Superman), while also facing his greatest enemy: General Zod. After this, the franchise goes downhill rapidly as none of the other storylines can compete.
- Spiderman I sets up Spidey’s origin, and the first sequel deals with Peter coping with his new superhero identity. Good enough. Spiderman 3 tried to set up “Spidey’s Greatest Enemy,” but broke rule #2 and could decide if it was Venom, Harry Osborn or Mary Jane. Just kidding on that last one, but really, Sandman wasn’t even in the running. In fact, why was he even there?
- Batman’s first run had origin story, then flounders with a sequel which doesn’t really do anything. So the next sequel brings in new villians, a new sidkick, a new main actor, and still accomplishes nothing. So next up? More villians, more sidekicks, and superhero nipples! Yeah, let’s stop there.
- Batman’s next run, Batman Begins, starts over with a different look at the origin story. The sequel introduces an ultimate enemy in the Joker. To my mind, this limits the next sequel a bit - since I can’t see a villian topping the joker in that one. They’ll have to put the focus on Bats, either with a “fallout” story featuring a love interest, or some sort of “personal challenge” story where Batman’s greatest enemy is himself. The comic’s Breaking the Bat story might work, if Venom didn’t look so cheesy on the big screen. The more recent RIP storyline has some potential, if they can strip out the baggage of the comics, like the alternative bat-men, the sidekicks, etc.
- Iron Man, Hulk and Wolverine have all had their origin stories, even if Wolverine got some screen time in the X-Men movies. Early reports from Iron Man 2 suggest it’s a fallout story. Hulk might get a sequel if Marvel works things out with Ed Norton (note to Marvel: DO THIS!), and Wolverine is a shoe-in.
So that’s what I have so far. Like it? Hate it? Got ideas of your own? Post, I command thee!
